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Frank Isaac Robinson (born December 28, 1938), [2] known in his early musical career as Sugar Chile Robinson, is an American jazz pianist and singer. A Detroit native, Robinson became famous as a child prodigy in the mid-1940s.
"Sugar Mama" or "Sugar Mama Blues" is a blues standard. [1] Called a "tautly powerful slow blues" by music journalist Charles Shaar Murray , [ 2 ] it has been recorded by numerous artists, including early Chicago bluesmen Tampa Red , Sonny Boy Williamson I , and Tommy McClennan .
Believe is the debut studio album by Nigerian singer and songwriter Sugarboy. It was released on 22 April 2017, through G-Worldwide Entertainment. Exclusively produced by Emperor Geezy with additional productions from Young John, DJ Coublon, BeatBurx, Tony Ross, Da Genius, Luis AMG, Papi J, CMelony, and Bangaz.
James "Sugar Boy" Crawford, Jr. (October 12, 1934 – September 15, 2012) was an American R&B musician based in New Orleans. He was the author of "Jock-A-Mo" (1954), which was later rerecorded as " Iko Iko " [ 1 ] by the Dixie Cups , and became a huge hit .
From the first few chords we could tell this was going to be emotional. We swear the Labrador Retriever could tell too. His owner, Lauren, was playing "What a Wonderful World" by Louis Armstrong.
Sugar Boy and the Sinners is a Dutch band from South Holland. The band is formed by brothers Vinnie and Ronnie Guerin in 2010, together with Boy Vielvoye and the Frankie Duindam. In their early years, the band focused mainly on blues, but more recently the band is inspired by old school soul, rock and roll and funk. [citation needed]
Sugar is an album by jazz tenor saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with trumpeter Freddie Hubbard, guitarist George Benson, bassist Ron Carter and drummer Billy Kaye.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
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