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[1] [2] He is credited as the first major drummer to use five gallon plastic buckets instead of a normal drum kit. [3] He uses his foot to lift the bucket changing the sound patterns. He has appeared in commercials, Mariah Carey's "Someday" video, Bring in 'da Noise, Bring in 'da Funk as well as the movie Green Card.
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B.Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep).
He occasionally performed solos titled, 're-mixing the clips', where he drew on his production and DJ abilities to dub video clips, cue audio samples in rhythm, and play drum breaks simultaneously. In late 2009, while serving as an associate producer of the hit Broadway play Fela!, Questlove
Samples of his drum performances (particularly his break in the 1970 track "Funky Drummer") were heavily used in hip hop music beginning in the 1980s, although Stubblefield frequently received no credit. A self-taught musician, Stubblefield was influenced by the sound of industrial rhythms he heard in factories
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s. [1]The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively.
These techniques were later adopted by hip hop musicians in the 1970s. [8] Grandmaster Flash's turntablism is an early example in hip hop. [citation needed] The first commercial drum loop was created for the song “Stayin’ Alive” for the movie Saturday Night Fever by Albhy Galuten and Karl Richardson.
Hip-hop or hip hop (formerly known as disco rap) [7] [8] is a genre of popular music that emerged in the early 1970s in New York City. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising ...
After the drum break, the band returns to the original vamp. [1] Brown, apparently impressed with what Stubblefield has produced, seems to name the song on the spot as it continues, and repeats it: "The name of this tune is 'The Funky Drummer', 'The Funky Drummer', 'The Funky Drummer'."