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"Better than Revenge" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Swift and Nathan Chapman produced the track, which is an electric guitar-driven pop-punk song. In the lyrics, Swift's character addresses a romantic rival that stole her boyfriend, lambasting the ...
In “Better Than Revenge (Taylor’s Version),” the line has been rewritten to: “He was a moth to the flame, she was holding the matches.” More from Variety Taylor Swift Adds 14 Shows ...
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Thus, in the simple chord progression I–ii–V–I, which in the key of C major would be the chords C Major–D minor–G Major–C Major, a musician could replace the I chords with "tonic substitutes". The most widely used substitutes are iii and vi (in a Major key), which in this case would be the chords "E minor" and "A minor".
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
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