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Shelby White (born 1938) is an American investor, art collector, and philanthropist. She serves on the board of the Metropolitan Museum of Art [ 1 ] and is a founding trustee of the Leon Levy Foundation .
Walter was the son of George and Madeline White. By the time he was born, his father had attended Atlanta University, which is still known today as one of the South's historically black colleges, and had become a postal worker, an admired position in the federal government. [6]
In 2016 The Art Life list Judith Neilson as one of the 50 most powerful people in Australian art in recognition of her donations, with her former husband, Kerr, to philanthropic art projects since 2007 and the opening of the White Rabbit Gallery. [6] Since 2015, the White Rabbit Gallery has been funded solely by Judith Neilson. [5]
OPINION: We have an opportunity to redefine the role of love in philanthropy and society at large. Using love compels us to move beyond sentiment and into intentional action, addressing the wounds ...
The colour for poor performance was black and he believed it aligned with the Scottish term 'black-affronted' meaning to be embarrassed, while the opposite is white to symbolize meritorious conduct. His strategy was successful as employees at the time cared about maintaining a good relationship with Owen to leave a good impression on him since ...
Whitman is known for his black-and-white photography portraying contemporary Native realities, especially his "Street Chiefs Series" from the 1970s and 1980s. "Street Chiefs" features images of homeless Native men, primarily in downtown Oklahoma City. "The contemporary Indian in the isolation of the city canyons and rural reservations is avoided.
Stopping in Durham’s historic Black Wall Street district, Vice President Kamala Harris announced $32 million in federal funds to help women- and minority-led businesses in NC.
During his time at the Otis Art Institute, White was a mentor for many young Black artists, including Kerry James Marshall, Richard Wyatt Jr., David Hammons, and Alonzo Davis. [6] [9] [24] Marshall reflected that “Under [his] influence I always knew that I wanted to make work that was about something: history, culture, politics, social issues