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The art historian Jill Burke was the first to trace the historical origins of the term High Renaissance.It was first coined in German by Jacob Burckhardt in German (Hochrenaissance) in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. [2]
Many influences on the development of Renaissance men and women in the early 15th century have been credited with the emergence of Renaissance art; they are the same as those that affected philosophy, literature, architecture, theology, science, government and other aspects of society.
Early Cretan School – post-Byzantine art or Cretan Renaissance 1400 – 1500; Mannerism and Late Renaissance – 1520 – 1600, ... Street art – early 1980s;
Theorists of the Early and High Renaissance accepted the importance of representing nature closely, at least until the later writings of Michelangelo, who was strongly influenced by neoplatonism. [5] By the time of Mannerist theorists such as Gian Paolo Lomazzo and Federico Zuccari (both also painters) this was far less of a priority.
Italian Renaissance influences begin to show on Early Netherlandish painting around 1500, but in many ways the older style was remarkably persistent. Antwerp Mannerism is a term for painters showing some Italian influence, but mainly continuing the style and subjects of the older masters.
The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic), the early Renaissance (beginning around 1425), and the start of the High Renaissance, generally asserted to begin between 1495 and 1500.
After 1550, the Flemish and Dutch painters begin to show more interest in nature and in beauty an sich, leading to a style that incorporates Renaissance elements, but remains very far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still ...
By the later Renaissance, the top figures wielded great influence and could charge great fees. A flourishing trade in Renaissance art developed. While in the early Renaissance many of the leading artists were of lower- or middle-class origins, increasingly they became aristocrats. [38]
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