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Knight and Day (Original Motion Picture Soundtrack) is the album consisting of the film score composed by John Powell for the 2010 satirical action comedy film Knight and Day directed by James Mangold, starring Tom Cruise and Cameron Diaz. The soundtrack was released through Varèse Sarabande on June 24, 2010.
This section repeats and is followed by a descending harmonic sequence starting with a -7 ♭ 5 (half diminished seventh chord or Ø) built on the augmented fourth of the key, and descending by semitones—with changes in the chord quality—to the supertonic minor seventh, which forms the beginning of a more standard II-V-I progression.
This is an accepted version of this page This is the latest accepted revision, reviewed on 26 January 2025. 2010 film by James Mangold For other uses, see Night and Day (disambiguation). Knight and Day Theatrical release poster Directed by James Mangold Written by Patrick O'Neill Produced by Cathy Konrad Todd Garner Steve Pink Starring Tom Cruise Cameron Diaz Peter Sarsgaard Viola Davis Jordi ...
The end result is a gem of a single with a left-of-center quality that endears after repeated listens. Could become a sleeper smash with the right amount of promotional TLC." [9] Tom Ewing of Freaky Trigger called the song "uplifting, always ready to drop in a big hook, keeping the rushy spirit of UK house alive." He stated that "its breakbeat ...
Instruments that do not play in the key of C are known as transposing instruments. [5] The most common kind of clarinet, for example, is said to play in the key of B ♭. This means that a scale written in C major in sheet music actually sounds as a B ♭ major scale when played on the B-flat clarinet—that is, notes sound a whole tone lower ...
Amber Riley, who starred as Mercedes in “Glee,” revealed on the “And That’s What You Really Missed” podcast that she refused to film a sex scene with Chord Overstreet’s character Sam.
One common tone, two notes move by half step motion, and one note moves by whole step motion. Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." [4] "'Inbetween chords' that help you get from one chord to another are called passing chords." [5] For example, in the simple chord progression in the key of C Major, which goes from Imaj7/iii7/ii7/V7 ...
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