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Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
A new treadle and case design consisting of a rather large and industrial-looking chrome-plated housing and rubber-covered treadle was used universally throughout the entire Morley line, which included volume pedals, wah pedals, a rotating sound pedal (the original "Morley"), and a pedal version of their echo device dubbed the Morley EVO-1.
In 1974, Roland released the first Space Echo units in two models: the RE-101 and the RE-201, which also included spring reverb. [1] Instead of the tape reel used in previous tape echo units, the Space Echo uses a free-running tape transport system. The tape spools freely within a chamber, using a capstan drive protected by a plastic cover.
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Effects units are available in a variety of form factors.Stompboxes are used in both live performance and studio recording. Rackmount devices saw a heavy usage during the later 20th century, due to their superior processing power and desirable tones as compared to pedal-style units.
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Echoplex EP-2. The Echoplex is a tape delay effects unit, first made in 1959.Designed by engineer Mike Battle, [1] the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured."
Harley-Davidson 1,200 cc SV 1931. The Great Depression began a few months after the introduction of their 45 cu in (740 cm 3) model. Harley-Davidson's sales fell from 21,000 in 1929 to 3,703 in 1933. Despite this, Harley-Davidson unveiled a new lineup for 1934, which included a flathead engine and Art Deco styling. [35]
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