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Though Trilby features the stories of two English artists and a Scottish artist, one of the most memorable characters is Svengali, a rogue, masterful musician and hypnotist. Trilby O'Ferrall, the novel's heroine, is a half-Irish girl working in Paris as an artist's model and laundress; all the men in the novel are in love with her.
The character was portrayed in the following films which were all titled Svengali: first by Ferdinand Bonn in the silent film of 1914, [7] then by Paul Wegener in the silent film of 1927, by John Barrymore in 1931, by Donald Wolfit in 1954 (in Technicolor), and by Peter O'Toole in the film of 1983, which was a modernised version made for ...
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The integration of Trilby into daily life led to many men and women changing their lifestyles and style of dress to match the story. This caused many discussions about the morals of the main characters and social propriety. Gilder Benson's reflection on the novel includes a small conversation between two women regarding the morals of Trilby. [6]
Svengali is a 1931 American pre-Code drama film directed by Archie Mayo. [2] The film stars John Barrymore and Marian Marsh. It is based on the 1894 George du Maurier novel Trilby and was among the many film adaptations of the book. The film was shot from January 12 to February 21, 1931.
Dorothea Baird in the title role of the London production of Trilby (1895). Trilby is a stage play by Paul M. Potter based on the 1894 novel Trilby by George du Maurier.In the play, a young Irish woman, Trilby O'Ferrall, falls under the control of Svengali, who uses hypnosis to make her abandon her fiancé and become a singer.
Hildegarde Neff's Trilby is handsome but spiritless, and her Irish accent is doubtful, while Terence Morgan makes a colourless hero. Donald Wolfit, however, is most successfully cast as Svengali. To match the splendidly macabre appearance intended by du Maurier, he gives a performance of uninhibited bravura, with moments even of grandeur.