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  2. Loudness war - Wikipedia

    en.wikipedia.org/wiki/Loudness_war

    Measured LUFS may further vary among streaming services due to differing measurement systems and adjustment algorithms. For example, Amazon, Tidal, and YouTube do not increase the volume of tracks. [36] Some services do not normalize audio, for example Bandcamp. [36]

  3. Dynamic Noise Limiter - Wikipedia

    en.wikipedia.org/wiki/Dynamic_Noise_Limiter

    Philips took advantage of this by having a circuit that would mute high-frequency signals only when the overall volume was low. Although this also muted any high-frequency components of the audio, the hiss would be masking these anyway. If the high-frequency components were high volume, they would overwhelm the hiss and the circuit would not ...

  4. List of most-viewed YouTube videos - Wikipedia

    en.wikipedia.org/wiki/List_of_most-viewed...

    YouTube announced that cumulative views of videos related to Minecraft, some of which had been on the platform as early as 2009, exceeded 1 trillion views on December 14, 2021, and was the most-watched video game content on the site.

  5. The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.

  6. List of YouTube features - Wikipedia

    en.wikipedia.org/wiki/List_of_YouTube_features

    Since June 2007, YouTube's videos have been available for viewing on a range of Apple products. This required YouTube's content to be transcoded into Apple's preferred video standard, H.264, a process that took several months. YouTube videos can be viewed on devices including Apple TV, iPod Touch and the iPhone. [108]

  7. Low-frequency effects - Wikipedia

    en.wikipedia.org/wiki/Low-frequency_effects

    LFEs include both low-pitched musical notes and low-pitched sound effects. The musical soundtrack for many films includes bass instruments that produce very low notes. . Until the 1970s, most of the low-pitched instruments were natural, acoustic instruments, such as the double bass or the pipe organ's pedal key

  8. Equal-loudness contour - Wikipedia

    en.wikipedia.org/wiki/Equal-loudness_contour

    The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.

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