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"Tomorrow Is Tomorrow" (Japanese: 明日は明日, Hepburn: Ashita wa Ashita) is the third episode of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by co-executive producer Shannon Goss, and directed by Charlotte Brändström.
Yoriko Dōguchi as Kiri no Kata (Lady Acha, 1555–1637): Toranaga's wife; Mako Fujimoto as Shizu no Kata: Toranaga's younger, pregnant consort; Yuua Yamanaka as Toda Ryûji (Hosokawa Tadatoshi, 1586–1641): Mariko and Buntaro's son; Eisuke Sasai as Lord Ito: An influential warlord and Noh performer who is invited to join the council of five ...
"Kimigayo" is the national anthem of Japan.The lyrics are from a waka poem written by an unnamed author in the Heian period (794–1185), [1] and the current melody was chosen in 1880, [2] replacing an unpopular melody composed by John William Fenton in 1869.
There’s an inexplicable moment in the latest episode of Shōgun that I simply can’t shake. It’s not one of the many historical or political plots—and this scene has nothing to do with some ...
Sean T. Collins of The New York Times wrote, "Clearly, Shogun is building steam as our knowledge of both the characters and the stakes deepen. The more you see of it, the more you want to know how it ends." [9] Josh Rosenberg of Esquire wrote, ""War will be declared on my clan," Toranaga tells his men. "I desire no land. I want no honors.
Kiri no Hata (Japanese: 霧の旗) is a 1965 Japanese crime film directed by Yoji Yamada. [ 1 ] [ 2 ] [ 3 ] It is based on Seichō Matsumoto 's novel of the same title. [ 4 ] [ 5 ] [ 6 ]
"Servants of Two Masters" (Japanese: 二人の主君に仕えて, Hepburn: Futari no Shukun ni Tsukaete) is the second episode of the American historical drama television series Shōgun, based on the novel by James Clavell.
"A Dream of a Dream" (Japanese: 夢の中の夢, Hepburn: Yume no Naka no Yume) is the tenth and final episode of the first season of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by Maegan Houang and Emily Yoshida, and directed by Frederick E. O. Toye.