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"Knock Knock" is a song by American rapper SoFaygo, released on August 4, 2019 and produced by Lil Tecca. A sleeper hit, it gained traction on the video-sharing app TikTok in late 2020 and became SoFaygo's breakthrough song. It is also the lead single from his mixtape Angelic 7 (2020).
[7] Glenn Rubenstein of Extended Play said, "If you're looking to dabble in creating your own loop-based songs, MTV Music Generator 2 is an excellent introduction to the world of composing music digitally. While not as full-featured as some PC-based programs, it is amazing, because it allows you to do so much on a console system at the average ...
Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine.
MTV Music Generator 3: This Is the Remix North American PlayStation 2 cover art featuring on the left side of the cover from top, middle left, middle right, to bottom, Sean Paul , Big Boi and Andre 3000 of OutKast , and Fabolous .
The music video for "Knock Knock" was directed by Naive Creative Production. Stop-motion effect was used in some of the scenes in the video. It earned almost 10 million views on YouTube within 24 hours since its release and set a new record for the fastest K-pop group music video to reach 30 million view count in only 152 hours.
Dance Vault Remixes: Get It Off/Knock Knock- Remix EP is the first EP by American R&B singer Monica, released in 2004 (see 2004 in music). [1] It features remix-versions of the 2003 songs : "Knock Knock" and song "Get It Off" both from After the Storm in the U.S. Both songs were released as a double A-side and B-side single. [2]
These funny knock knock jokes are perfect for kids, teens, adults and anyone else looking for a laugh. Find hilarious knee-slappers for the whole family. 150 knock-knock jokes that are a real hoot
"Knock Knock" received generally positive reviews from music critics. AllMusic editor Andy Kellman felt that the song, along with Elliott's other contributions on the album, provides "a bulk of the most exciting material, with just the right amount of swagger added to the singer's more wide-eyed personality of the '90s."