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The song uses nature as a metaphor to assure listeners of hope and that everything will be restored at the end of the war. It also highlights a promise a soldier makes: "When the lilies bloom in France again," the soldier will return to his sweetheart. The song starts by describing lilies growing and birds singing in France.
When the White Lilacs Bloom Again (German: Wenn der weiße Flieder wieder blüht) may refer to: A popular German song of the 1920s; When the White Lilacs Bloom Again, a German silent film directed by Robert Wohlmuth; When the White Lilacs Bloom Again, a West German film directed by Hans Deppe
The title song, "When the White Lilacs Bloom Again", was a popular hit in the 1920s for Franz Doelle. Made in and around Wiesbaden, Wenn der weiße Flieder wieder blüht is one of the few so-called Heimatfilm pictures to have been set in the Hesse region as they were usually shot in the Alps, the Black Forest, or the Lüneburg Heath. Among the ...
When Lilacs Last in the Dooryard Bloom'd: A Requiem for those we love (An American Requiem) [1] is a 1946 oratorio by composer Paul Hindemith, based on the poem of the same name by Walt Whitman. It is the first musical work to include the entirety of Whitman's 1865 poem . [ 2 ]
This song is an example of a parlor ballad. This ballad may have roots in the Anglo-Scots-Irish song tradition. Foster's "Ah! May the Red Rose Live Alway!" is similar to Irish musician Thomas Moore's "The Last Rose of Summer". [2] Ah May the Red Rose Live Alway. The song begins with a piano introduction. The first vocal line of "Ah!
"Bloom" is a song by Australian band The Paper Kites, released independently as the band's first single in 2010. [1] "Bloom" was written by Samuel Bentley and Christina Lacy, and produced by Tim Johnston and the Paper Kites themselves. "Bloom" was included as a bonus track in the digital release their debut EP Woodland in March 2013.
Finally, in 1976 she recorded a disco version for her husband Bob Thiele's Signature imprint. Only the original London release was a national chart hit, although the 1973 version was a regional hit in some markets, including Milwaukee (it charted on Top 40 station WOKY's survey). In 1977, she performed the song on The Muppet Show.
Its popularity reinforced by its appearance in the 1952 film Dreamboat, "Poinciana" has become a standard of Latin jazz: the theme song of pianist Ahmad Jamal – whose version, introduced on the 1958 album At the Pershing: But Not for Me, would be showcased on the soundtrack of the 1995 film The Bridges of Madison County [9] [10] – the song has also been recorded by Herb Jeffries, Frank ...