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Albatross (instrumental) Alley Cat (song) Amen, Brother; L'amour est bleu; And the Address; Anji (instrumental) Apache (instrumental) Applejack (song) Apples and Bananas (instrumental) Asia Minor (instrumental) At the Sign of the Swingin' Cymbal; Atlantis (instrumental)
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single ...
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
Instrumental beautiful music can also be found on a number of Internet radio feeds. Some stations listed below have Internet "doubles" streaming their former BM/EZ formats, such as WMEZ in Pensacola, Florida. Additionally, many archived airchecks of BM/EZ formats are available online, through YouTube or various radio aircheck websites.
"Rumble" is an instrumental by American group Link Wray & His Wray Men. Released in the United States on March 31, 1958, as a single (with "The Swag" as a B-side), "Rumble" utilized the techniques of distortion and tremolo, then largely unexplored in rock and roll.
At the time of its original release in the UK, the BBC had a policy of banning records which parodied classical music. "Nut Rocker" was put to committee, which decided that "[t]his instrumental piece is quite openly a parody of a Tchaikovsky dance tune, is clearly of an ephemeral nature, and in our opinion will not offend reasonable people", and was not therefore banned.
In Duane Cozzen's book, Surf & Hot Rod Music of the 60's: Collectors Quick Reference, it says that "Penetration" is believed to be the last major surf instrumental song. [2] On the day of the recording session, Will Glover was in the studio and he was not "feeling it" so he decided to go across the road to have a bite to eat and a soft drink.
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