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Abbas Kiarostami, [2] Elia Suleiman, [3] and Kelly Reichardt are also considered minimalist filmmakers. The Minimalists – Joshua Fields Millburn, Ryan Nicodemus, and Matt D'Avella – directed and produced the film Minimalism: A Documentary, [4] which showcased the idea of minimal living in the modern world.
Slow cinema is a genre of art cinema characterised by a style that is minimalist, observational, and with little or no narrative, and which typically emphasizes long takes. [1] [2] It is sometimes called "contemplative cinema". [3]
This list may not reflect recent changes. ... Photo (film) Photograph (film) Photographing a Ghost; Play Motel; Pretenders (2018 film) Private Parts (1972 film)
Kelly Reichardt (/ ˈ r aɪ k ɑːr t /; born March 3, 1964) [1] is an American film director and screenwriter. [2] She is known for her minimalist films closely associated with slow cinema, [3] [4] many of which deal with working-class characters in small, rural communities.
"As an approach in photography, minimalism or minimalistic photography could be taken by the photographer in all genres. No matter if you are a portrait, architecture, landscape etc. photographer, minimalist photos are always an option as long as you have a minimal look toward your surroundings" -Milad Safabakhsh, Founder of Minimalist Photography Awards.
One Hour Photo is a 2002 American psychological thriller film [2] [3] written and directed by Mark Romanek and starring Robin Williams, Connie Nielsen, Michael Vartan, Gary Cole and Eriq La Salle. The film was produced by Catch 23 Entertainment, Killer Films and John Wells Productions and released by Fox Searchlight Pictures .
Youheum Son is truly an extreme minimalist. Aside from her cat's bed, a few string lights and flowers, Son's apartment, which she shares with her minimalist sister, fully emulates her dedication ...
The American independent film, prior to the 1980s and first half of the 1990s, [19] [20] [11] was previously associated with race films, [21] Poverty Row b movies (e.g. Republic Pictures [22] [23]), exploitation films, avant-garde underground cinema (when it was known as the New American Cinema [24] [25]), social and political documentaries, experimental animated shorts (since the mid-1930s ...
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