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So just for him I sang "Boy I love you so bad" and he would go all shy and it was lovely. And then I worked it into a song as "And she said Boy I love you so bad." It was a little melody I had, and I started writing words. They seemed to be very simple and very corny, but they seemed to fit. There was no way I could make them more grammatical.
"Let's Live for Today" (The Grass Roots) [10] "Like a Sad Song" (John Denver) "Like to Get to Know You" (Spanky and Our Gang) "A Little Bit Me, a Little Bit You" (The Monkees) [10] "The Little Girl I Once Knew" (The Beach Boys) "A Little Less Conversation" (Elvis Presley) [44] [45] "The Little Old Lady (from Pasadena)" (Jan and Dean) [46] [3]
Hail are an American indie/punk band with an avant-garde twist consisting of Susanne Lewis (vocals, guitar, main composer and lyricist) and Bob Drake (bass). The band has also had guest appearances from Mike Johnson , Dave Kerman , Chris Cutler and Bill Gilonis .
So niggas go bring them, 'Pac just putting niggas to work like, 'I need a beat here, I need y'all to do this, do that.' And these are niggas that nobody at Death Row was fucking with. They'll tell you themselves." [11] The album was recorded at Can-Am Studios in Tarzana during July and August 1996. During those weeks, 21 songs were completed ...
Tyrone Wrice, better known by his stage name Hurt-M-Badd, is an American singer and record producer.He is a former member of short-lived R&B duo B-Rezell with Marc "MGM" McWilliams, which appeared on Death Row Records 1994 compilations Murder Was the Case and Above the Rim – The Soundtrack before the break-up.
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Most of the songs on the album were credited to Shayne Carter/Straitjacket Fits, the exceptions being "Sparkle That Shines", "Take From The Years" and "Fabulous Things" (all Andrew Brough/Straitjacket Fits), and a cover of Leonard Cohen's song "So Long, Marianne". This was the only cover version recorded on any of Straitjacket Fits' albums.
"Hail, Hail" was released in October 1996 as the second single from the band's fourth studio album, No Code (1996). The song managed to reach the number nine spot on both the Mainstream Rock and Modern Rock Billboard charts. The song was included on Pearl Jam's 2004 greatest hits album, rearviewmirror (Greatest Hits 1991–2003).
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