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Sheep shearers wear short tunics over shirts, with hose and ankle-high shoes, Flanders, c. 1510. Haymakers: Barefoot women wear short-sleeved, front-laced gowns with contrasting linings tucked up over knee-length chemises, with aprons and straw hats. Men wear sleeveless overgowns or jerkins over their shirts and hose, c. 1510.
Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.
Both women wear dark parlets; the V-neck front and pointed back are common in Flanders. They wear linen headdresses, probably a single rectangle of cloth pinned into a hood (note knots in the corners behind). Men wear baggy hose, short doublets (one with a longer jerkin beneath), and soft, round hats, 1568.
Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises. Women tuck their gowns up when ...
Drawing the Italian Renaissance is at The King’s Gallery, Buckingham Palace, from November 1, 2024 through March 9, 2025. You Might Also Like 12 Weekend Getaway Spas For Every Type of Occasion
Although men had worn wigs to cover up thinning hair or baldness since 1624 when King Louis XIII of France (1601–1643) started to pioneer wig-wearing, the popularity of the wig or periwig as the standard wardrobe is usually credited to his son and successor Louis XIV of France (1638–1715). Louis started to go bald at a relatively young age ...
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
A circa 1530 work from Jan Massys shows two men with carefree smirks, playing with a bowl of porridge, for example. Above them are four icons: the letter D, a globe, a foot and a violin.
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