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The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Chorale settings refer to a wide variety of musical compositions, almost entirely of Protestant origin, which use a chorale as their basis. A chorale is a simple melody, often based on Gregorian chant, written for congregations to sing hymns.
Carols for Choirs is a collection of choral scores, predominantly of Christmas carols and hymns, first published in 1961 by Oxford University Press.It was edited by Sir David Willcocks and Reginald Jacques, and is a widely used source of carols in the British Anglican tradition and among British choral societies. [1]
Pages in category "Choral music" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. A. Alto; B. Bass (voice type) C.
Harmonious Chorale was the guest choir at the University of Ghana's maiden edition of the UG Choral Music festival. [10] Harmonious Chorale joined musicians such as Don Moen , Sinach , Angela Christie and Lionel Peterson at the Akwa Ibom Christmas Carols Festival, the largest gathering of carol singers in the world, under the auspices of the ...
The third stanza of the eponymous chorale in Johann Sebastian Bach's setting as the final movement of his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140. A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service.
This article is based on interviews with Florence Kopleff, who was a member of the Robert Shaw Chorale throughout its existence and served as administrative assistant to Mr. Shaw; and on recollections of John W. Cooledge, a member of the Atlanta Symphony Orchestra Chorus and Chamber Chorus, and of the Robert Shaw Chamber Singers throughout the existence of that group.