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The E ♭ clarinet has a characteristic "hard and biting" tone and is used in the orchestra when a brighter, ... Practical Hints on Playing the B-Flat Clarinet ...
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
After 1950, works using E ♭ clarinet are too numerous to note individually. However, among those where the instrument is featured beyond what would be considered normal in recent music are John Adams's Chamber Symphony, where two players play E ♭ and bass clarinet and "double" on soprano and Adriana Hölszky's A due for two E ♭ clarinets.
The contra-alto clarinet is higher-pitched than the contrabass and is pitched in the key of E ♭ rather than B ♭.The unhyphenated form "contra alto clarinet" is also sometimes used, as is "contralto clarinet", but the latter is confusing since the instrument's range is much lower than the contralto vocal range; the more correct term "contra-alto" is meant to convey, by analogy with ...
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
Playing hard to get can also be a practical approach to relationships, especially at first. "You are maintaining some control over how the relationship progresses," explains Dr. Patrice Le Goy, ...
An early trumpet could play only one note well, possibly two. That good note was a low note, and formed the bottom of a series of notes. [3] [22] 2 Folgant, (also: vulgano or vorgano), the "note that follows", "follower", "attendant". A single note higher than the basso. [3] [22] 3 Alto e basso, altebasso, alterbass, or "up-and-down". 3 notes ...