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Augusta began making figures as a child, mostly small animals out of the natural red clay of her hometown. [2] Her father was a poor Methodist minister who strongly opposed his daughter's early interest in art. "My father kicked me four or five times a week," Savage once recalled, "and almost whipped all the art out of me."
It portrays Augustine of Hippo in meditation inside his study. The precise subject is a legend, probably first found in the 13th century, of a vision Augustine had as he began to write a letter to Jerome in his study at Hippo in 420. The time is shown on the clock by his head as the end of the twenty-fourth hour, counting from the previous sunset.
On August 20, 1947 Chicago publisher Otto C. Lightner purchased the building to convert the old hotel into a hobbies museum. He used the space to house several collections, including his own extensive collection of Victorian era art. [3] [4] He then turned it over to the city of St. Augustine and the museum opened to the public in 1948. [5]
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George Edgar Ohr (July 12, 1857 – April 7, 1918) was an American ceramic artist and the self-proclaimed "Mad Potter of Biloxi" in Mississippi. [1] In recognition of his innovative experimentation with modern clay forms from 1880 to 1910, some consider him a precursor to the American Abstract-Expressionism movement. [2]
Benton was a part of the Beatnik movement in San Francisco during the ‘50s and ‘60s working as a sign painter by day and an expressionist artist (painting) by night. In 1961, he had a solo exhibition at the California Palace Legion of Honor, showing his portraits of fellow artists like David Simpson and William Morehouse.
St. Augustine in His Study (also called Vision of St. Augustine) is an oil and tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy. The painting depicts St. Augustine while he has a vision while sitting in a large room filled with objects.
Cleveland Museum of Art 23 x 12 x 15 More images: Andromeda: 1889 Bronze More images: Pygmalion and Galatea [49] 1889 Marble Metropolitan Museum of Art, New York City 97.2 x 88.9 x 76.2 More images: Cybele: 1889 to 1890 Bronze Musée Rodin, Paris 160 × 79 × 120 More images: She Who Was the Helmet-Maker's Beautiful Wife [50] 1889 to 1890 ...
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