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The Intouchables (French: Intouchables, pronounced [ɛ̃tuʃablə]), also known as Untouchable in the UK, Ireland, and Scandinavia, [2] [circular reference] is a 2011 French buddy comedy-drama film written and directed by Éric Toledano and Olivier Nakache.
The Upside is a 2017 American comedy drama film directed by Neil Burger, written by Jon Hartmere.It is a remake of the French 2011 film The Intouchables, which was itself inspired by the lives of Abdel Sallou and Philippe Pozzo di Borgo.
CODA is a 2021 coming-of-age comedy-drama film written and directed by Sian Heder.An English-language remake of the 2014 French-Belgian film La Famille Bélier, it stars Emilia Jones as Ruby Rossi, the child of deaf adults (CODA) and only hearing member of her family, who attempts to help her family's struggling fishing business while pursuing her aspirations to become a singer.
A decade after “La Famille Belier,” which was remade as the Oscar-winning “CODA,” another comedy featuring protagonists with disabilities, “A Little Something Extra” has stormed the ...
La Famille Bélier (released as The Bélier Family in Australia) is a 2014 French-Belgian coming-of-age comedy-drama film directed by Éric Lartigau. [3] The film received six nominations at the 40th César Awards, winning Most Promising Actress for Louane Emera. [4] It won a Magritte Award in the category of Best Foreign Film. [5]
The English-language film, a remake of the 2014 French-language film La Famille Bélier, features a hearing teenage girl who is a child of deaf adults (CODA for short), having culturally Deaf parents and brother. Code Unknown: 2000: In the French- and Romanian-language film, three hearing characters' lives intersect.
Marguerite is a 2015 French-language comedy-drama film directed by Xavier Giannoli and written by Giannoli and Marcia Romano, loosely inspired by the life of Florence Foster Jenkins. The film is an international co-production among France, the Czech Republic, and Belgium. [ 4 ]
The charms of “Patrice: The Movie” are abundant — which doesn’t mean this inventive, warmhearted documentary, directed by Ted Passon, won’t infuriate. Much of the bristling will be on ...