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The dramatic picture documents the moment when a Belgian woman who had been a Nazi collaborator as a Gestapo informer, and was identified before she could hide in the crowd, is publicly identified by another woman as the one who denounced her. She rushes from the crowd to do that and stands angry and defiant to her left, while the alleged ...
The original cover was controversial, since the graphic designer added yellow badges to the left lapels of the women. In fact, Jews in the Warsaw Ghetto were forced to wear blue Stars of David on white armbands, and the combatants discarded their armbands because they considered them humiliating symbols of Nazi oppression.
The NS-Frauen-Warte ("National Socialist Women's Monitor") was the Nazi magazine for women. [1] Put out by the NS-Frauenschaft, it had the status of the only party approved magazine for women [2] and served propaganda purposes, particularly supporting the role of housewife and mother as exemplary.
SS Experiment Camp (also known as SS Experiment Love Camp; original release title: Lager SSadis Kastrat Kommandantur) is a 1976 Nazi exploitation film directed by Sergio Garrone. The plot concerns non-consensual sexual experimenting with female prisoners of a concentration camp run by Colonel von Kleiben (Giorgio Cerioni), a Nazi officer who ...
On 10 June 1944, four days after D-Day, the village of Oradour-sur-Glane in Haute-Vienne in Nazi-occupied France was destroyed when 643 civilians, including non-combatant men, women, and children, were massacred by a German Waffen-SS company as collective punishment for Resistance activity in the area including the capture and subsequent execution of a close friend of Waffen-SS ...
Author and historian Robert F. Dorr characterizes Die Glocke as among "the most imaginative of the conspiracy theories" that arose in post-World War II years, and typical of the fantasies of magical German weapons often popularized in pulp magazines such as the National Police Gazette. [8]
Much of the photography of the Holocaust is the work of Nazi German photographers. [7] Some originated as routine administrative procedure, such as identification photographs (); others were intended to illustrate the construction and functioning of the camps or prisoner transport. [5]
Staple evil aliens in science fiction of the 1930s onward were often described — or pictured on covers of pulp magazines — as grotesque creatures with huge, oversized or compound eyes and a lust for blood, women, or general destruction. [2] The Vogons satirised this stock character in The Hitchhiker's Guide to the Galaxy series