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The source of Dharma is the Veda, as well as the tradition [Smriti], and practice of those who know the Veda. – Gautama Dharma-sūtra 1.1-1.2 The Dharma is taught in each Veda, in accordance with which we will explain it. What is given in the tradition [Smriti] is the second, and the conventions of cultured people are the third.
Saroj Smriti (ISO: Saroj Smṛti) (lit. ' In memorium Saroj ') is a long elegiacal poem in Hindi written by Suryakant Tripathi 'Nirala'. He composed this following the death of his 18-year-old daughter, Saroj, in 1935. Its first publication occurred in the second edition of Anāmikā in 1937. This poem is considered one of the finest elegies in ...
Smriti is a derivative secondary work and is considered less authoritative than Sruti in Hinduism, except in the Mimamsa school of Hindu philosophy. [13] [22] [23] The authority of smriti accepted by orthodox schools, is derived from that of shruti, on which it is based. [24] [25] The Smrti literature is a corpus of diverse varied texts. [13]
Chapter 1 and chapter 3 are influenced by Manu, while chapter 2, focusing on legal procedure, draws from both Manu and Kautilya's Arthashastra. The text includes sections discussing embryology and anatomy, drawn from medical texts such as Charaka Samhita. It also contains concise portions on music and yogic meditation, likely derived from early ...
The Mimamsa school of Hindu philosophy developed textual hermeneutics, theories on language and interpretation of Dharma, ideas which contributed to the Dharmasutras and Dharmasastras. [119] The Vedanga fields of grammar and linguistics – Vyakarana and Nirukta – were the other significant contributors to the Dharma-text genre.
About essays – what essays are, the types of essays and status within the community. Avoid writing redundant essays – why it is a good idea to check if similar essays already exist before creating new ones. Difference between policies, guidelines and essays – what the community chooses to call a "policy" or a "guideline" or an "essay".
Mahadevi Verma (26 March 1906 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the modern Meera. [2]
Sachchidananda Hirananda Vatsyayan (7 March 1911 – 4 April 1987), popularly known by his pen name Agyeya (also transliterated Ajneya, meaning 'the unknowable'), was an Indian writer, poet, novelist, literary critic, journalist, translator and revolutionary in Hindi language.