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Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent". Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1]
The large round hole is a fire pit. The air intake (square hole), the stones blocking air from the intake, the pit and the sipapu form a line: an intentional design. At Long House, Mesa Verde. A sipapu (a Hopi word) was a small hole or indentation in the floor of a kiva (pithouse).
The word xicalcoliuhqui (Nahuatl pronunciation: [ʃikaɬkoˈliʍki]) means "twisted gourd" (xical- "gourdbowl" and coliuhqui "twisted") in Nahuatl. [1] [2] [10] The motif is associated with many ideas, and is variously thought to depict water, waves, clouds, lightning, a serpent or serpent-deity like the mythological fire or feathered serpents, as well as more philosophical ideas like cyclical ...
The mask of Xiuhtecuhtli, from the British Museum, of Aztec or Mixtec provenance. [9]Xiuhtecuhtli's face is painted with black and red pigment. [16] Xiuhtecuhtli was usually depicted adorned with turquoise mosaic, wearing the turquoise xiuhuitzolli crown of rulership on his head and a turquoise butterfly pectoral on his chest, [27] and he often wears a descending turquoise xiuhtototl bird ...
Aztec pyramid of Santa Cecilia Acatitlan Reconstruction of the temple precinct of Tenochtitlan; the great temple. Aztec architecture is a late form of Mesoamerican architecture developed by the Aztec civilization. Much of what is known about this style of architecture comes from the structures that are still standing.
Ītzpāpalōtl [a] ("Obsidian Butterfly") was a goddess in Aztec religion. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh . She ruled over the paradise world of Tamōhuānchān , the paradise of victims of infant mortality and the place identified as where humans were created.
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