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Together with the Pietà, it was the most popular of the Andachtsbilder-type images of the period – devotional images detached from the narrative of Christ's Passion, intended for meditation. The Latin term Christus dolens ("suffering Christ") is sometimes used for this depiction.
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
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[2] By Christ satisfying our debt of honor to God, we avoid punishment. In Calvinist penal substitution, it is the punishment which satisfies the demands of justice. [citation needed] Another distinction must be made between penal substitution (Christ punished instead of us) and substitutionary atonement (Christ suffers for us).
The Humiliation of Christ is a Protestant Christian doctrine that consists of the rejection and suffering that Jesus received and accepted, according to Christian belief. Within it are included his incarnation , suffering , death , burial , and sometimes descent into hell .
Redemptive suffering is the Christian belief that human suffering, when accepted and offered up in union with the Passion of Jesus, can remit the just punishment for one's sins or for the sins of another, or for the other physical or spiritual needs of oneself or another.
Christ, portrayed with open hands to show all the wounds of the crucifixion, is raised on finely sculpted ancient sarcophagus. [ citation needed ] His body is wrapped in a metallic white drape, and his supported by two kneeling angels (a seraphim and a cherubim ).
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .