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Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The Bat Whispers is a 1930 American pre-Code mystery film directed by Roland West, produced by Joseph M. Schenck, and released by United Artists.The film is based on the 1920 mystery play The Bat, written by Mary Roberts Rinehart and Avery Hopwood, and is the second film version by the same director, previously adapted in 1926.
Many full-length films were produced in the 1930s. Sound films ("talkies") were a global phenomenon by the early 1930s. Advances in color film included Technicolor and Kodachrome. The year 1930 is the start of "the golden age of Hollywood", which through at least the 1940s. The studio system was at its height in
Fox Film [288] The Sea Bat: Wesley Ruggles: Raquel Torres, Charles Bickford, Nils Asther: Melodrama: MGM [289] The Sea God: George Abbott: Richard Arlen, Fay Wray: Adventure: Paramount-Publix [290] Sea Legs: Victor Heerman: Jack Oakie, Lillian Roth: Comedy: Paramount-Publix [291] The Sea Wolf: Alfred Santell: Milton Sills, Raymond Hackett ...
The Doorway to Hell is a 1930 American pre-Code crime film directed by Archie Mayo and starring Lew Ayres and James Cagney in his second film role. [2] [3] The film was based on the story A Handful of Clouds, written by Rowland Brown. The film's title was typical of the sensationalistic titles of many Pre-Code films. [4]
Stranger on the Third Floor is often cited as the first "true" film noir of the classic period (1940–1959), [3] [4] [5] though other films that fit the genre such as Rebecca and They Drive by Night were released earlier. Nonetheless, it has many of the hallmarks of film noir: an urban setting, heavy shadows, diagonal lines, voice-over ...
1930: The Big House: George W. Hill: Chester Morris, Wallace Beery, Robert Montgomery: United States: Prison film [1] Born Reckless: John Ford, Andrew Bennison: Edmund Lowe, Catherine Dale Owen, Lee Tracy: United States [2] The Cat Creeps: Rupert Julian, John Willard: Helen Twelvetrees, Raymond Hackett, Neil Hamilton: United States [3] The ...
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