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Lead singer Chino Moreno appearing in the music video for "Change (In the House of Flies)". The music video, directed by Liz Friedlander, [9] features the band playing at a party. The people attending have apathetic looks and wear animal masks. The video was shot at a Hollywood, California estate in May. [10] [11]
Singles "Change (In the House of Flies)" and "Digital Bath" supported the album's release. A single entitled "Back to School (Mini Maggit)" was released as a rap-influenced reinterpretation of White Pony's closing track, "Pink Maggit", and was provided for free to owners of White Pony due to its original release on Enhanced CD media. [4]
Black Stallion features the full track list of the original White Pony album in order with each song recreated by a different producer with an "electronic, beat-driven" approach. Deftones originally conceived of doing a remix album prior to the recording of White Pony and had reached out to DJ Shadow to remix the entire album himself. [8]
The black-and-white music video for "Hexagram" showed excited fans entering a building to watch a live performance of the song. As such, the majority of the video focused on this performance, with small exceptions like a shirtless, incapacitated Chino Moreno lying on the floor during the moody bridge. Audio for the video was taken entirely from ...
Around the Fur is the second studio album by the American alternative metal band Deftones, released on October 28, 1997, by Maverick Records.The songs "My Own Summer (Shove It)" and "Be Quiet and Drive (Far Away)" were released as singles with accompanying music videos.
"Minerva" is a song by American alternative metal band Deftones. It was released in 2003 as the lead single from their self-titled fourth studio album . The song charted at No. 9 on Billboard's Alternative Songs chart, No. 16 on the Mainstream Rock Tracks chart [ 2 ] [ 3 ] and No. 15 on the UK Singles Chart .
In 2012, Loudwire ranked the song number two on their list of the 10 greatest Deftones songs, [7] and in 2020, Kerrang ranked the song number three on their list of the 20 greatest Deftones songs. [8] A music video was filmed to accompany the single's release, directed by Frank W. Ockenfels III. [9]
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