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Pages in category "Horror conventions" The following 17 pages are in this category, out of 17 total. ... Code of Conduct; Developers; Statistics; Cookie statement ...
Horror conventions are gatherings of the community of fans of various forms of horror including horror cinema, goth lifestyle, and occasionally science fiction and fantasy. Historically the focus has been on the cinematic form rather than literature and art, but this has broadened to include all forms in recent years.
The Dictionary of Film Studies defines the horror film as representing “disturbing and dark subject matter, seeking to elicit responses of fear, terror, disgust, shock, suspense, and, of course, horror from their viewers.” [2] In the chapter The American Nightmare: Horror in the 70s from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between ...
Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication. However, structuralist film theory differs from linguistic theory in that its codifications include a more apparent temporal aspect.
Bill Gibron of PopMatters declared a mixed definition of the psychological horror film, ranging from definitions of anything that created a sense of disquiet or apprehension to a film where an audience's mind makes up what was not directly displayed visually. Gibron concluded it as a "clouded gray area between all out splatter and a trip ...
Postmodern horror is a horror film related to the art and philosophy of postmodernism. Examples of this type of film include George A. Romero 's Night of the Living Dead , Tobe Hooper 's The Texas Chain Saw Massacre , John Carpenter 's slasher film Halloween , and Wes Craven's Scream .
In his book Art-Horror (2023) Adrian Gmelch identifies 4 aspects that can be an orientation for the definition of art-horror (no claim to present a universal definition): (1) Film historical and artistic imprinting, (2) horror as a message vehicle, (3) recurring motifs and stylistic elements as well as (4) unique visual identity and aesthetics ...
Basic principle of a jump-scare in its early form as a jack-in-the-box.Illustration of the Harper's Weekly magazine from 1863. A jump scare (also written jump-scare and jumpscare) is a scaring technique used in media, particularly in films such as horror films and video games such as horror games, intended to scare the viewer by surprising them with a creepy face, usually co-occurring with a ...