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Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication. However, structuralist film theory differs from linguistic theory in that its codifications include a more apparent temporal aspect.
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The Dictionary of Film Studies defines the horror film as representing “disturbing and dark subject matter, seeking to elicit responses of fear, terror, disgust, shock, suspense, and, of course, horror from their viewers.” [2] In the chapter The American Nightmare: Horror in the 70s from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between ...
A social thriller is a film genre using elements of suspense to augment instances of apparent oppression in society. The genre gained attention by audiences and critics around the late 2010s with the releases of Jordan Peele's Get Out and Us, [1] [2] each film highlighting occurrences of racial alienation (the former which veil a plot to abduct young African-Americans).
The sociology of film deals with the sociological analysis of film. [1] According to a university class in it, the field includes "Contemporary cinema as a culture clue to social change; an introduction to the social forces involved in film-making in the United States and other cultures; the influence of films on mass and select audiences."
Horror conventions are gatherings of the community of fans of various forms of horror including horror cinema, goth lifestyle, and occasionally science fiction and fantasy. Historically the focus has been on the cinematic form rather than literature and art, but this has broadened to include all forms in recent years.
Thou Shalt Not, a 1940 photo by Whitey Schafer deliberately subverting some of the Code's strictures. In the 1920s, Hollywood was rocked by a number of notorious scandals, such as the murder of William Desmond Taylor and the alleged rape of Virginia Rappe by popular movie star Roscoe "Fatty" Arbuckle, which brought widespread condemnation from religious, civic and political organizations.
Postmodern horror is a horror film related to the art and philosophy of postmodernism. Examples of this type of film include George A. Romero 's Night of the Living Dead , Tobe Hooper 's The Texas Chain Saw Massacre , John Carpenter 's slasher film Halloween , and Wes Craven's Scream .