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This included Netotiliztli, which had symbolic, spiritual choreography. Netotiliztli, which loosely translates to "expressed by dance," was a communicative dance of worship and rejoice practiced by the Mexica. [6] It was performed by dancers, who could be any member of society, as all members of Nahua society were educated in song and dance.
The Moko Jumbie embodies more than just entertainment; it serves as a powerful symbol of spiritual protection and cultural heritage. The Orisha, Moko, comes from the various African cultures such as the Kongo (or Congo) and Nigeria, and from the Maasai people. He was revered as a guardian figure in African villages, whose towering stature ...
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Karakattam (karakam-'water pot'), or Karagam Puja in the Caribbean, is an ancient folk dance of Tamil Nadu performed in praise of the rain goddess Mariamman. The ancient Tamil epic says that this type of dance derived from Bharatham and a mixture of multiple forms of Tamil dance forms like Bharatanatyam postures and mudras. The offering of this ...
Dances and dancing of this kind is seen as opportunity to develop participants' spiritual awareness, hand-eye-body coordination, and competency in harmonizing with others through dance. Many dances are choreographed with movements, steps, and gestures encouraging dancers to explore for deeper mystical meanings of the dance.
Ceremonial dance is a major category or classification of dance forms or dance styles, where the purpose is ceremonial or ritualistic. It is related to and overlaps with sacred dance and ecstatic dance .
Yup'ik dancing is set up in a very specific and cultural format. Typically, the men are in the front, kneeling and the women stand in the back. The drummers are in the very back of the dance group. Dance is the heart of Yup’ik spiritual and social life. Traditional dancing in the qasgiq is a communal
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".