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When forty winters shall besiege thy brow And dig deep trenches in thy beauty’s field, Thy youth’s proud livery, so gaz’d on now, Will be a tatter’d weed, of small worth held: Then being ask’d where all thy beauty lies, Where all the treasure of thy lusty days, To say, within thine own deep-sunken eyes,
Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death.
"Let me not to the marriage of true minds" ("Sonnet 116"), performed by Thelma Holt "Music to hear, why hearst thou music sadly" ("Sonnet 8"), set to music by Joseph Shabalala and sung by Ladysmith Black Mambazo "When forty winters shall besiege thy brow" ("Sonnet 2"), performed by Caroline Blakiston
The statue fragment known as the Younger Memnon in the British Museum. Shelley began writing the poem "Ozymandias" in 1817, upon anticipation of the arrival in Britain of the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II acquired by Italian archeologist Giovanni Battista Belzoni from the Ramesseum, the mortuary temple of Ramesses II at Thebes. [5]
Sonnet 42 is the final set of three sonnets known as the betrayal sonnets (40, 41, 42) that address the fair youth's transgression against the poet: stealing his mistress. [3] This offense was referred to in Sonnets 33–35, most obviously in Sonnet 35, in which the fair youth is called a "sweet thief."
Sonnet 36 is just one of The Sonnets out of 154 that were written. There are 120 sonnets devoted to an unknown young man, twenty-eight sonnets are written to a young lady, and the rest are allegorical. [2] Sonnet 36 falls in the category of love and beauty along with other sonnets such as 29, 37, and many others according to Claes Schaar. [3]
Shakespeare's Sonnet 40 is one of the sequence addressed to a well-born, handsome young man to whom the speaker is devoted. In this poem, as in the others in this part of the sequence, the speaker expresses resentment of his beloved's power over him.
Some say thy fault is youth, some wantonness; Some say thy grace is youth and gentle sport; Both grace and faults are loved of more and less; Thou mak’st faults graces, that to thee resort: As on the finger of a throned queen The basest jewel will be well esteemed, So are those errors that in thee are seen