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In the Neo-Attic style that revived the Severe style of the original bronzes, it shows idealized portraits of the two heroes: a clean-shaven Harmodius, thrusting a sword forward in his upraised right hand, another sword in his left hand; and Aristogeiton, also brandishing a sword, with a chlamys, or cape, draped over his left shoulder.
Harmodius (Greek: Ἁρμόδιος, Harmódios) and Aristogeiton (Ἀριστογείτων, Aristogeíton; both died 514 BC) were two lovers in Classical Athens who became known as the Tyrannicides (τυραννόκτονοι, tyrannoktonoi) for their assassination of Hipparchus, the brother of the tyrant Hippias, for which they were executed.
Roman copy of Kritios' Tyrannicides (Archaeological Museum, Naples). Kritios (Ancient Greek: Κριτίος, / k r ɪ ˈ t iː ə s /) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher ...
The definition of statue for this list is a free-standing sculpture (as opposed to a relief), representing one or more people or animals (real or mythical), in their entirety or partially (such as a bust). Heights stated are those of the statue itself and (separately) the total height of the monument that includes structures the statue is ...
The sculpture was unveiled in central London on Wednesday. For premium support please call: 800-290-4726 more ways to reach us
These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 metres tall. Archaic Greek sculptors seem to have been influenced stylistically by the Egyptians, although divergences appeared early on.
Plato describes a violent tyrant as the opposite of a good and "true king" in the Statesman, [6] and while Aristotle in the Politics sees it as opposed to all other beneficial forms of government, he also described tyrannicide mainly as an act by those wishing to gain personally from the tyrant's death, while those who act without hope of personal gain or to make a name for themselves are rare.
Milles sent Allerton the only full size replica of the 1926 Swedish commission in 1929. Allerton thought he was getting a garden sculpture. Many copies of the headless, armless castings of Sun Singer by Milles exist in museums worldwide Diana of the Tower: 4.45: 14.6: Augustus Saint Gaudens: 1893: Philadelphia Museum of Art, Philadelphia ...