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Phantom HD Camera used for high-speed photography 2010 Blue Valentine: Andrij Parekh: Red One M: Cooke S4: Present-day scenes shot on Red, flashback scenes shot on 16mm 2010 Red State: David Klein Red One MX, Canon EOS 7D: Canon 7D used only for 'running with camera' shots 2010 Winter's Bone: Michael McDonough Red One M: Zeiss Master Prime ...
DVD-Video is a consumer video format used to store digital video on DVDs. DVD-Video was the dominant consumer home video format in Asia, North America, [6] Europe, and Australia in the 2000s until it was supplanted by the high-definition Blu-ray Disc; both receive competition as delivery methods by streaming services such as Netflix and Disney+.
Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
In 3D. Filmed with Phantom 65 IMAX 3D Digital cameras. Some shots filmed in 35mm and converted to 3D. First mainstream feature to be partially shot with digital IMAX 3D cameras with 95 minutes of IMAX 3D footage. Aspect ratio alternates between 2.39:1, 2.00:1, and 1.90:1. The longest IMAX 3D movie ever filmed. [243] [244] Hercules: 25 July 2014 **
Universal Pictures. ... Starting on Oct. 8, 2024, you'll be able to purchase the digital version of the movie with extra bonus features. It will be available on 4K UHD, Blue-ray and DVD on Oct. 22 ...
Release date Prod. country Camera system Aspect ratio Runtime min Notes Deep Sea 3D: March 3, 2006 Canada United States. IMAX 3D: 1.43:1 41 Superman Returns: June 28, 2006 United States: Filmed in 2D 2.39:1 154 20 minutes of footage were converted to 3D in post-production for IMAX 3D theaters. Monster House: July 21, 2006 United States: Digital ...
Whether or not you actually watch your DVDs anymore, you likely have a bunch lying around -- and depending on what they are, they could fetch you some extra cash if you're interested in selling them.
Independent movie-makers have also pressed low-cost consumer and hybrid prosumer cameras into service for digital cinematography. Though image quality is typically much lower than what can be produced with professional digital cinematography cameras, the technology has steadily improved, most significantly in the last several years with the arrival of high-definition cameras in this market.