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Ferris Bueller's Day Off is a 1986 American teen comedy film written, co-produced, and directed by John Hughes.The film stars Matthew Broderick, Mia Sara, and Alan Ruck, with supporting roles from Jennifer Grey, Jeffrey Jones, Cindy Pickett, Edie McClurg, Lyman Ward, and Charlie Sheen.
Broderick then won the role of the charming, clever slacker in the 1986 film Ferris Bueller's Day Off. At the age of 23, Broderick played the titular high school student who, with his girlfriend and best friend, plays hooky and explores Chicago. A 1980s comedy favorite, the film is one of Broderick's best-known roles (particularly with teenage ...
Age of Love is the fourth studio album by German band Scooter, released in 1997. Age of Love was released containing two singles, "Fire" and "The Age of Love".It is the last studio album featuring Ferris Bueller, who left the band in 1998 to pursue a solo career.
Pretty much every funny movie quote from the 1975 film is still as hilarious as it was back in 1975. Maybe more so after circulating through pop culture for last 50 years.
While Ferris offered to take the fall for Cameron's kick-the-car-into-the-woods mishap, he might have been better served offering to help cover $50,000 of the then-$350,000 sticker price for a ...
All the world’s a stage — and the perfect inspiration for a romantic comedy plot line! Many beloved romance-focused movies have taken inspiration from the Bard himself: William Shakespeare. 10 ...
Jeffrey Duncan Jones (born September 28, 1946) is an American actor, known for his roles as Emperor Joseph II in Amadeus (1984), Edward R. Rooney in Ferris Bueller's Day Off (1986), Charles Deetz in Beetlejuice (1988), Dr. Skip Tyler in The Hunt for Red October (1990), Eddie Barzoon in The Devil's Advocate (1997), and A. W. Merrick in both Deadwood (2004–2006) and Deadwood: The Movie (2019).
After its use in the 1986 film Ferris Bueller's Day Off — an "incredibly infectious song" from which it became virtually known as 'the Ferris Bueller song' [11] [12] — the song was used in various other film soundtracks through the end of the decade and developed a reputation as a 1980s Hollywood cliche.