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Inlay (ivory, red sandalwood, copper) on wooden casket. In a wood matrix, inlays commonly use wood veneers, but other materials like shells, mother-of-pearl, horn or ivory may also be used. Pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base metal matrix, are other forms of inlay. Master ...
The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass.
Although marquetry is a technique separate from inlay, English marquetry-makers were called "inlayers" throughout the 18th century. In Paris, before 1789, makers of veneered or marquetry furniture (ébénistes) belonged to a separate guild from chair-makers and other furniture craftsmen working in solid wood (menuisiers).
Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] , called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images. It is considered a decorative art ...
Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and bishop's thrones.
inlaid wood carving, Lalitha Mahal Palace Hotel. Mysore Rosewood Inlay covers a range of techniques used by artisans in around the area of Mysore in sculpture and the decorative for inserting pieces of contrasting, often coloured materials like ivory shells, mother-of-pearl, horn and sandalwood into depressions in a rosewood object to form ornament or pictures that normally are flush with the ...
The tracing floors themselves were covered with plaster-of-Paris, which could be relaid and smoothed down after each set of designs were finished with. The 14th-century tracing house at York (also known as the Mason's Loft) survives on the upper storey of the corridor leading to the Chapter House , the complex web of lines and curves scratched ...
The general style of works of the Cosmati school is more closely related to Romanesque art, even though some of the buildings they worked in are Gothic, as in their main lines are their larger structures, especially in the elaborate altar-canopies, with their pierced geometrical tracery. In detail, however, they differ widely from the purer ...