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Repeatedly, the terms artistic freedom and freedom of artistic expressions are used as synonyms. Their underlying concepts "art", "freedom" and "expression" comprise very vast fields of discussion: "Art is a very 'subtle'—sometimes also symbolic—form of expression, suffering from definition problems more than any other form."
The right to freedom of expression is particularly important for media, which play a special role as the bearer of the general right to freedom of expression for all. [18] However, freedom of the press does not necessarily enable freedom of speech. Judith Lichtenberg has outlined conditions in which freedom of the press may constrain freedom of ...
As the Berlinale prepares to kick off its 75th edition on Thursday, the festival has clarified its position on freedom of expression, including when it comes to showing solidarity with Palestine.
In a similar way, the freedom of thought, conscience, and religion in particular the latter is a form of self-expression. Consequently, Article 10 covers such expression too due to its wide scope. Lastly, expression is a vital aspect of freedom of assembly and association as "Demonstration always constitutes an expression of opinion." [6]
The cultural content of these goods, services and activities refers to the meaning or values thus conveyed. The artistic expression of these goods, services and activities refers to the cultural expression that results from aesthetic creativity or creation. [29] Five other options were proposed by the editorial board.
Under autonomism it is presumed that art itself has no association to other forms of reality and thus cannot be judged as anything other than freedom of expression which in turn omits art from being morally and even cognitively evaluated making artistic integrity a void concept. [11]
Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom (of expression) and the implied or overtly stated superiority of the writers over the status quo.
National Endowment for the Arts v. Finley, 524 U.S. 569 (1998), was a United States Supreme Court case in which the Court ruled that the National Foundation on the Arts and Humanities Act, as amended in 1990, (20 U.S.C. § 954(d)(1)), was facially valid, as it neither inherently interfered with First Amendment rights nor violated constitutional vagueness principles.