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"The Big Money" is a song by Canadian rock band Rush, originally released on their 1985 album Power Windows. It peaked at #45 on the Billboard Hot 100 [ 2 ] and #4 on the Mainstream Rock chart , and has been included on several compilation albums, such as Retrospective II and The Spirit of Radio: Greatest Hits 1974-1987 .
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
It was during sessions at The Manor where Rush brought in musician Andy Richards to play additional synthesizers and assist in their programming. His rig consisted of a PPG Wave 2.3 synthesizer connected to a Roland Super Jupiter module through a MIDI system, a Yamaha QX-1 digital sequencer, and a Roland Jupiter-8 and Yamaha DX7 synthesizer. [ 8 ]
Lee began playing music in school when he was 10 or 11 and received his first acoustic guitar at 14. In school, he first played drums, trumpet and clarinet. However, learning to play instruments in school was not satisfying to Lee, and he took basic piano lessons independently.
Later, in 1990, he appeared on Lawrence Gowan's album Lost Brotherhood to play guitar. In 1995, he guested on two tracks on Tom Cochrane's Ragged Ass Road album and then in 1996 on I Mother Earth's "Like a Girl" from the Scenery and Fish album. In 1997, he appeared on the Merry Axemas: A Guitar Christmas album.
"Xanadu" is the first Rush song in which synthesizers play an integral part. Unlike the previous albums, 2112 and Caress of Steel, "Xanadu" uses both guitar and synthesizer effects. The song also marks Rush's clear foray into program music, although previous albums had displayed some elements of this. Subsequent albums during the late 1970s and ...
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