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An acro dancer performing a straddle split leap. A split leap or split jump is a sequence of body movements in which a person assumes a split position after leaping or jumping from the floor, respectively, while still in the air. Split leaps and split jumps are both found in various genres of dance including acro, ballet and jazz dance, and in ...
When performing jumps and leaps, classical ballet dancers strive to exhibit ballon, the appearance of briefly floating in the air. Pointe technique is the part of ballet technique that concerns pointe work, in which a ballet dancer supports all body weight on the tips of fully extended feet on specially designed and handcrafted pointe shoes. In ...
Download as PDF; Printable version; ... Ballet companies in Spain (4 P) D. Spanish ballet dancers (2 C, 1 P) This page was ...
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
Styles of dance are not predefined by the embrace itself and many figures of tango salon style are danced in an open embrace, it is also possible to dance tango nuevo in close V-shape embrace. The milonguero (apilado) style is an exception; its close embrace without V-shape and emphasis on maintaining this embrace throughout the dance ...
A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340. Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597. Glossary of Dance Terms. New York: New York City Ballet ...
The origins of the shepherd's leap may date back to the Guanches, the aboriginal inhabitants of the islands prior to the Castilian conquest period of the early 15th century. Canarian shepherds required a specialised means of transporting themselves safely across ravines and down steep embankments, and settled on the use of long wooden poles ...
The "pas du songe" in La Péri. La Péri is a fantastic ballet choreographed by Jean Coralli (1779-1854) to music composed by Friedrich Burgmüller.With a scenario devised by Théophile Gautier and Coralli, scenery designed by Charles Séchan, Jules Diéterle, Édouard Desplechin, Humanité Philastre, and Charles Cambon, and costumes designed by Paul Lorimer and Hippolyte d'Orshwiller, it was ...