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The early Marathi literature emerged during the Seuna (Yadava) rule, because of which some scholars have theorized that it was produced with support from the Yadava rulers. [4] The Yadavas did regard Marathi as a significant language for connecting with the general public, [ 5 ] and Marathi replaced Kannada and Sanskrit as the dominant language ...
Dalit literature in the modern era emerged in the Marathi language as a literary movement as a precursor to its flourishing in various Indian languages. [18] In 1958, the term "Dalit literature" was used at the first conference of Maharashtra Dalit Sahitya Sangha (Maharashtra Dalit Literature Society) in Mumbai [19]
Trimbak Bapuji Thombre (IAST:Trimbak Bāpūji Thombare; 13 August 1890 – 5 May 1918), (known popularly as Balkavi or Balkavi Thombre), was a Marathi language poet from Jalgaon district of Maharashtra, India.
GA, who bought new strength and vitality to the Marathi short story, is admittedly the most distinguished exponent of that genre. A contemporary of Gangadhar Gadgil, Arvind Gokhale and Vyankatesh Madgulkar, he did not subscribe to the cause of modernism in literature. He charted his own separate course and cultivated new acuity and taste for a ...
The avant-garde modernist poetry burst upon the Marathi literary world with the poetry of B. S. Mardhekar in the mid-forties. The period 1955–1975 in Marathi literature is dominated by the little magazine movement. It ushered in modernism and the Dalit Literature movement.
His treatise 'सुगम मराठी व्याकरण व लेखन' has become a standard reference in this area. Walambe was an avid reader of Marathi literature. He nurtured close personal friendships with several prominent Marathi writers, such as V.S. Khandekar, G. D. Madgular, N. S. Phadke and Malati Bedekar.
His Marathi poems of the 1950s and 1960s are written "in the Bombay argot of the migrant working classes and the underworld, part Hindi, part Marathi, which the Hindi film industry would make proper use of only decades later". [5] For instance, consider the following, which intersperses Hindi dialect into the Marathi:
1942 was a turning point in the career of Kusumagraj, as the father-figure of Marathi literature, Vishnu Sakharam Khandekar, published Kusumgraj's compilation of poetry, Vishakha (विशाखा) at his own expense, and in his preface describing Kusumagraj as a poet of humanity, wrote, "His words manifest the social discontent but retain ...