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The Giants series (also known as the Minerva series) is a quintet of science fiction novels by James P. Hogan, published between 1977 and 2005. Overview
James Patrick Hogan (27 June 1941 – 12 July 2010) was a British science fiction author. [1] His major works include the Giants series of five novels published between 1977 and 2005. Biography
The Proteus Operation is a science fiction alternate history novel written by James P. Hogan.The plot focuses on an Anglo-American team of soldiers and civilians sent back in time from the Nazi-dominated world of 1975 to prevent an Axis victory in World War II that was engineered by more advanced time travelers from the 21st century.
Oberon Books was founded by James Hogan in 1985. Two of its titles are poet Adrian Mitchell's 1998 stage adaptation of C. S. Lewis's The Lion, The Witch and The Wardrobe for the Royal Shakespeare Company and One Man, Two Guvnors (Richard Bean's modern version of Carlo Goldoni's Servant of Two Masters), a West End and Broadway hit for Britain's National Theatre in 2011 starring James Corden.
Giants, a 1977 science fiction series by James P. Hogan "giANTS", a 1979 short story by Edward Bryant; Giants, a 1985 short story collection edited by Isaac Asimov, Martin H. Greenberg and Charles G. Waugh, the fifth volume in their Isaac Asimov's Magical Worlds of Fantasy series; Giant, a 2004 American urban music magazine
The Legend That Was Earth is a novel by science fiction author James P. Hogan; it was published in 2000 by Baen Publishing Enterprises. It includes several themes common to science fiction, such as dystopias, alien encounters, and the distinctions of personhood. It has been called a "political fantasy."
James Humphries Hogan (1883–1948), English stained glass designer James P. Hogan (director) (1890–1943), American filmmaker James P. Hogan (writer) (1941–2010), British science fiction author
Hogan discussed the background of the novel in his essay "Discovering Hyperspace". [1] While developing the setting for Inherit the Stars, Hogan found himself dissatisfied with the use of superluminal travel in science fiction as a plot device, in particular finding that he could not think of a story where the invention of the hyperdrive is central to the plot.