Search results
Results from the WOW.Com Content Network
Pages in category "Plays by Henrik Ibsen" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. B. Brand (play)
Henrik Johan Ibsen (/ ˈ ɪ b s ən /; [1] Norwegian: [ˈhɛ̀nrɪk ˈɪ̀psn̩]; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director.Ibsen is considered the world's pre-eminent dramatist of the 19th century and is often referred to as "the father of modern drama."
Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen ...
While their work paved the way, the development of more significant drama owes itself most to the playwright Henrik Ibsen. Ibsen was born in Norway in 1828. He wrote 25 plays, the most famous of which are A Doll's House (1879), Ghosts (1881), The Wild Duck (1884), and Hedda Gabler (1890).
A Doll's House (Danish and Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play written by Norwegian playwright Henrik Ibsen.It premiered at the Royal Danish Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. [1]
Henrik Ibsen (1828–1906, Norway) Victor Ido (1869-1948, Netherlands) Elizabeth Inchbald (1753–1821, England) William Inge (1913–1973, United States) Thomas Ingelend (fl. 1560, England) Eugène Ionesco (1909–1994, Romania) in French and Romanian; William Henry Ireland (1775–1835, England) David Ives (born 1950, United States)
The League of Youth (Norwegian: De unges Forbund) is a play by Henrik Ibsen finished in early May 1869. [1] It was Ibsen's first play in colloquial prose and marks a turning point in his style towards realism and away from verse. [1] It was widely considered Ibsen's most popular play in nineteenth-century Norway. [2]
Ibsen felt similarly, wishing that he had continued writing poetry after Peer Gynt. [11] Irena's outfit is also a reference to one worn by Laura Kieler in her last visit to Ibsen. The author was the basis for A Doll's House, and she resented Ibsen using her life in his work, just as Irena feels violated by Rubek. [12]