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The panchakshara (Sanskrit: पञ्चाक्षर) literally means "five syllables" in Sanskrit, [2] referring to the five syllables of na, ma, śi, vā, and ya forming the mantra Om Namah Shivaya. [3]
Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
It is called Siva Panchakshara, or Shiva Panchakshara or simply Panchakshara meaning the "five-syllable" mantra (viz., excluding the Om) and is dedicated to Shiva. This Mantra appears as 'Na' 'Ma' 'Śi' 'Vā' and 'Ya' in the Shri Rudram Chamakam which is a part of the Krishna Yajurveda [ 1 ] and also in the Rudrashtadhyayi which is a part of ...
Kedar is an ancient raga, with different genres of classical songs, like khayals, thumris, dhrupads, as well as light classical songs based on it. According to the Guru Granth Sahib, raga Kedara (ਕੇਦਾਰਾ) expresses and makes the mind aware of the soul's true character. It conveys the emotions of honesty, integrity and truthfulness in ...
Hari Om Sharan (26 September 1932 – 18 December 2007) was an Indian Hindu devotional singer and lyricist. Most of his career was dedicated to singing devotional songs in praise of Sita, Rama, and Hanuman.
A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. [2] Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas ...
Agni Sūktam; Devī Sūktam; Hiranyagarbha Sūktam; Manyu Sūktam; Medha Sūktam; Narasimha Nakha Stuti; Nārāyaṇa Sūktam; Nasadiya Sūktam; Puruṣa Sūktam [1]; Śrī Sūktam
Kamavardini scale with Shadjam at C. It is the 3rd rāgam in the 9th chakra Brahma.The mnemonic name is Brahma-Go.The mnemonic phrase is sa ra gu mi pa dha nu. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):