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One of the three poems, the "old Odyssey" (most of books 5-14 and 17-19) had in turn been compiled by a Redaktor from three even earlier poems, two of which had originally been parts of longer poems. Like most other scholars caught up in the opposition between Analysis and Unitarianism, Wilamowitz equated poetry that he thought poor with late ...
For example, the Odin article links to a list of names of Odin, which include kennings. A few examples of Odin's kennings are given here. A few examples of Odin's kennings are given here. For a scholarly list of kennings see Meissner's Die Kenningar der Skalden (1921) or some editions of Snorri Sturluson 's Skáldskaparmál .
The Odyssey (/ ˈ ɒ d ɪ s i /; [1] Ancient Greek: Ὀδύσσεια, romanized: Odýsseia) [2] [3] is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest surviving works of literature and remains popular with modern audiences. Like the Iliad, the Odyssey is divided into 24 books.
A literal translation is "wine-faced sea" (wine-faced, wine-eyed). It is attested five times in the Iliad and twelve times in the Odyssey [1] often to describe rough, stormy seas. The only other use of oînops in the works of Homer is for oxen, for which is it used once in the Iliad and once in the Odyssey, where it describes a reddish colour ...
Not all translators translated both the Iliad and Odyssey; in addition to the complete translations listed here, numerous partial translations, ranging from several lines to complete books, have appeared in a variety of publications. The "original" text cited below is that of "the Oxford Homer". [1]
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The Skáldskaparmál is both a retelling of Norse legend as well as a treatise on poetry. It is unusual among surviving medieval European works as a poetic treatise written both in and about the poetry of a local vernacular language, Old Norse; other Western European works of the era were on Latin language poetry, as Latin was the language of scholars and learning.
Map of Homeric Greece. In the debate since antiquity over the Catalogue of Ships, the core questions have concerned the extent of historical credibility of the account, whether it was composed by Homer himself, to what extent it reflects a pre-Homeric document or memorized tradition, surviving perhaps in part from Mycenaean times, or whether it is a result of post-Homeric development. [2]