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In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit.
The circular arrangement depends on enharmonic relationships in the circle, usually reckoned at six sharps or flats for the major keys of F ♯ = G ♭ and D ♯ = E ♭ for minor keys. [3] Seven sharps or flats make major keys (C ♯ major or C ♭ major) that may be more conveniently spelled with five flats or sharps (as D ♭ major or B major).
The circle of fifths text table shows the number of flats or sharps in each of the diatonic musical scales and keys. Both C major and A minor keys have no flats or sharps. v
The sharps in the key signature of G ♯ major here proceed C ♯, G ♯, D ♯, A ♯, E ♯, B ♯, F. Single sharps or flats in the key signature are sometimes repeated as a courtesy, e.g. Max Reger's Supplement to the Theory of Modulation, which contains D ♭ minor key signatures on pp. 42–45.
C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor.
C ♯ major (seven sharps) is usually written as D ♭ major (five flats) and C ♭ major is usually written as B major. Natural key signature: a key signature with seven naturals ( ♮ ) used to cancel the seven sharps ( ♯ ) of the previous signature.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...