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Bach wrote the cantata in his second year in Leipzig for the 19th Sunday after Trinity. [2] [3] [4] It is part of his chorale cantata cycle.The prescribed readings for the Sunday were from Paul's Epistle to the Ephesians – "put on the new man, which after God is created" (Ephesians 4:22–28) – and from the Gospel of Matthew, Healing the paralytic at Capernaum (Matthew 9:1–8).
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Each hymn in the Psalmody was cross-referenced by page number to the "Manchester Hymnal" and only used a few verses of the full hymn text. In many respects, the Latter-day Saints' Psalmody represented a high-water mark in LDS hymnody. By today's standards many of the hymns are quite challenging, even for choirs, let alone congregational singing.
Jesus of Nazareth, Savior and King: Hugh W. Dougall: Hugh W. Dougall: 182: We’ll Sing All Hail to Jesus’ Name: Richard Alldridge: Joseph Coslett: 183: In Remembrance of Thy Suffering: Evan Stephens: Evan Stephens: 184: Upon the Cross of Calvary: Vilate Raile: Leroy J. Robertson: 185: Reverently and Meekly Now: Joseph L. Townsend: Ebenezer ...
Well for me that I have Jesus, O how tightly I hold him that he might refresh my heart, when I'm sick and sad. Jesus I have, who loves me and gives himself to me, ah, therefore I will not leave Jesus, even when my heart breaks. —from BWV 147, chorale movement no. 6 Jesus remains my joy, my heart's consolation and sap, Jesus fends off all ...
The tune, originally a Silesian folk song, and the German text were printed together for the first time in 1842 by Hoffmann von Fallersleben and Richter under the name Schönster Herr Jesu (Most beautiful Lord Jesus). [4] [5] It was arranged by Richard Storrs Willis for his collection Church Chorals and Choir Studies in 1850. [6]
Komm, Jesu, komm (Come, Jesus, come), BWV 229, is a motet by Johann Sebastian Bach, with a text by Paul Thymich. It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as were others of his motets but exact dates of composition and ...
The Hymn of Jesus is scored for two mixed choirs and one women's semi-chorus, with three flutes (one doubling piccolo), two oboes, cor anglais, two clarinets, two bassoons, four horns, two trumpets, three trombones, percussion (one player – snare drum, bass drum, tambourine, cymbals), piano, celeste, organ, and strings. Holst specified that ...