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The Legend of Churel supposedly originated from Persia where they were described as being the spirits of women who died with "grossly unsatisfied desires". [4]In South-East Asia, the Churel is the ghost of a woman who either died during childbirth, while she was pregnant, or during the prescribed "period of impurity".
The origin of "mehndi" is from the Sanskrit word "mendhika," which refers to the henna plant that releases a red dye. [5] According to A Dictionary of Urdu, Classical Hindi and English, mehndi also refers to "the marriage-feast on the occasion of the bride's hands and feet being stained with henna."
An elderly Bengali man in Dhaka with a beard dyed in henna. Henna is a reddish dye prepared from the dried and powdered leaves of the henna tree. [1] It has been used since at least the ancient Egyptian period as a hair and body dye, notably in the temporary body art of mehndi (or "henna tattoo") resulting from the staining of the skin using dyes from the henna plant.
“The Democrats have blood on their hands for failing to step up and do their job,” he said. When Alabama last year moved toward ending state permits to carry concealed handguns, then-state Rep ...
Behenchod (बहनचोद, بہنچود; English: Sisterfucker), also pronounced as behanchod is sometimes abbreviated as BC, is a Hindustani language vulgarism. It is a form of the profanity fuck. The word is considered highly offensive, and is rarely used in literal sense of one who engages in sexual activity with another person's sister ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Their role changes only during and after the earth, sky and living beings have been created. The sky world becomes that of Devas , the underworld becomes that of Asuras . The god Indra is the embodiment of good and represents the Devas, while the dragon Vrtra is the embodiment of evil and an Asura. [ 22 ]
Do Aankhen Barah Haath (transl. Two Eyes, Twelve Hands) is a 1957 Indian Hindi-language drama film directed by V. Shantaram, who also starred.It is considered to be one of the classics of Hindi cinema and is based on humanistic psychology.