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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
1937 : H 111 Prelude á la Mort de Jaurès from the show Liberté, in collaboration with Arthur Hoérée, lost 1937 : H 119a Two songs from the La construction d'une cité 1941 : H 146 La Mandragore 1941 : H 147 L'ombre de la ravine 1941 : H 149 Les suppliantes 1941 : H 150 800 meters, lost 1941 : H 151 La ligne d'horizon 1943 : H 163 Pasiphaé
Arthur Honegger in 1928. Arthur Honegger (French: [aʁtyʁ ɔnɛɡɛʁ]; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. [1]
Jeanne d'Arc au bûcher (Joan of Arc at the Stake) is a mystère lyrique, or sung mystery play (a dramatic sort of oratorio), by Paul Claudel with music by Arthur Honegger. Commissioned by Ida Rubinstein , it was written in 1935, premiered in 1938 and published in 1947 after rounds of minor revisions that extended into 1944.
Jean Rafa, de Paris aux nuits de Montréal [Jean Rafa, from Paris to Montreal nights] (in French). Michel, Dominique (2006). Éditions de la semaine (ed.). Y'a des moments si merveilleux [There are moments so wonderful] (in French). Brousseau, Pierre (1963). Editions des Succès populaires (ed.).
From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera Orchestra, and until 1971 he was a chamber music teacher at the Conservatoire de Paris. Among his students were Christine Alicot, Juho Alvas, Thomas Brown, Susan Morris DeJong, Geoffrey Gilbert and Bassam Saba.
The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). [2] Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory).
L'Aiglon is an opera (drame musical) in five acts composed by Arthur Honegger and Jacques Ibert.Honegger composed acts 2, 3, and 4, with Ibert composing acts 1 and 5. A 2016 reviewer described it as "a singular piece of work" with its "blend of operetta, divertissement, conversation piece, historical pageant and, in the disturbingly powerful fourth act set on the Napoleonic battlefield at ...