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Yellow music (Nhạc vàng) in Vietnam has two meanings. The first meaning is the lyrical and romantic music from pre-war, post-development in southern Vietnam in the period 1954s-1975s and later overseas as well as in the country after Đổi Mới, influenced by music of South Vietnam 1975s.
During the 1970s, V-pop was limited to Nhạc trẻ Sài Gòn (Youth music of Saigon, now called Ho Chi Minh City) or Kích động nhạc (Exciting music). After 1975, the Nhạc trẻ Sài Gòn scene, which encompasses vibrant, fun folk songs, was outlawed. [1] But the development in line with Vietnamese pop music comes from Hanoi and Haiphong.
Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam. Its instrumentation resembles that of the ca Huế style; additionally, modified versions of the European instruments guitar, violin, and steel guitar are used.
A noted cải lương singer, Ngọc Huyền Popular artist Mộng Tuyền performs the leading role in a Cải lương Presentation Tuồng cải lương (Vietnamese: [tûəŋ ka᷉ːj lɨəŋ], Hán-Nôm: 從改良) often referred to as Cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam.
Nhạc dân tộc cải biên is a modern form of Vietnamese folk music which arose in the 1950s after the founding of the Hanoi Conservatory of Music in 1956. This development involved writing traditional music using Western musical notation , while Western elements of harmony and instrumentation were added.
Dạ cổ hoài lang (Vietnamese: [zâːˀ ko᷉ hwâːj laːŋ], "Night Drum Beats Cause Longing for Absent Husband") is a Vietnamese song, composed circa 1918 by songwriter Cao Văn Lầu, colloquially known as "Sáu Lầu," from Bạc Liêu. It was a massive hit across Vietnam in 1927 as it was taken up by travelling troupes and spawned many ...
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...