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Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
Liu Zhibai (1915-2003) was a Chinese ink painter. Liu studied in Suzhou in 1933, in China's best art school at the time: the Suzhou Fine Arts College (this school had exhibited in the 1920s more than 500 famous plaster sculptures, and brought from France nearly ten thousand albums of Western art).
Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures.
Before the creation of the book, Chinese art-related works mainly focused on appreciation and cataloging, such as Gu Kaizhi's (顾恺之) On Painting and Xie He's (谢赫) Classified Record of Ancient Paintings. Zhang Yanyuan thus pioneered Chinese art history by being the first to document painters in a chronological format.
Zhou Lianxia (traditional Chinese: 周煉霞; simplified Chinese: 周炼霞; pinyin: Zhōu Liànxiá; Wade–Giles: Chou 1 Lien 4-Hsia 2; October 20, 1906 – April 13, 2000), also known as Ziyi (紫宜), was recognized as one of the top women painters, poets and writers in China of the Republican Period, famous for her elegant, traditional Chinese style paintings and poems, mastered after ...
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
Ching Tsai Loo, commonly known as C. T. Loo (Chinese: 盧芹齋; pinyin: Lú Qínzhāi; 1 February 1880 – August 15, 1957), was a controversial art dealer of Chinese origin who maintained galleries in Paris and New York and supplied important pieces for collectors and American museums by illegally exporting a large amount of significant state cultural relics from China.
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