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The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i. "Maxims I" and "Maxims II" are classified as wisdom poetry, being both influenced by wisdom literature, such as the Havamal of ancient Germanic literature. Although they are separate poems of ...
Perhaps the most common example of metalepsis in narrative occurs when a narrator intrudes upon another world being narrated. In general, narratorial metalepsis arises most often when an omniscient or external narrator begins to interact directly with the events being narrated, especially if the narrator is separated in space and time from ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Since most of the wisdom literature was written like poetry, some parts may be true and others fictional to attract the reader. Most of the wisdom writings were accepted by the readers for their choice of words, for the author's elite position held in society, and also based on the author's personal experiences. [7]
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The term is used for works of fiction which combine the literary devices of metafiction with historical fiction.Works regarded as historiographic metafiction are also distinguished by frequent allusions to other artistic, historical and literary texts (i.e., intertextuality) in order to show the extent to which works of both literature and historiography are dependent on the history of discourse.
The literary forms covered include epic poetry, novels, plays, memoirs and letters. The book opens with a comparison between the way the world is represented in Homer’s Odyssey and the way it appears in the biblical Book of Genesis's account of the Sacrifice of Isaac, and ends with analysis of a passage from To the Lighthouse by Virginia ...
"A Fundamental Study of the History of World Literature". USSR Academy of Sciences: Social Sciences Vol. XVI, No. 1, 1985 pp. 84–93. Vipper, Yuri B. "National Literary History in History of World Literature: Theoretical Principles of Treatment". New Literary History Vol. 16, No. 3, On Writing Histories of Literature (Spring 1985), pp. 545–558.