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"Parklife" is a song by the English rock band Blur, released in August 1994 by Food and Parlophone as the third single from the band's third studio album, Parklife (1994). The song contains spoken-word verses by the actor Phil Daniels , who also appears in the music video, which was directed by Pedro Romhanyi.
Parklife is the third studio album by the English rock band Blur, released on 25 April 1994, by Food Records. After moderate sales for their previous album Modern Life Is Rubbish (1993), Parklife returned Blur to prominence in the UK, helped by its four hit singles: " Girls & Boys ", " To the End ", the title track and " End of a Century ".
Enthusiastically greeted by the music press—the NME called it "a Great Pop Record ... bigger, bolder, narkier and funnier [than Modern Life is Rubbish]"—Parklife is regarded as one of Britpop's defining records. [35] [36] Blur won four awards at the 1995 Brit Awards, including Best Band and Best Album for Parklife. [37]
This is a comprehensive list of songs by English band Blur. Since forming in 1989, the band have released eight studio albums, three live albums, seven compilation albums, and thirty-five singles. This list does not contain live versions or remixes released by the band. Blur have officially released 255 songs, excluding alternate versions or ...
"To the End" was released on 30 May 1994 as the second single from Parklife. [4] It was not one of Blur's major hits, charting only at number 16 in the UK Singles Chart, [5] unlike the singles released before and after, which both reached the top 10.
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The music is based in the mixolydian mode, highlighted by the fact the V chord (B minor) is minor instead of major. The song's lyrics reference a low-pressure area of weather hitting Britain. The lyrics are based on the Shipping Forecast , with references made to the various areas surrounding the country. [ 1 ]
Applauded by the music press, the album's Anglocentric rhetoric rejuvenated the group's fortunes after their post-Leisure slump. Modern Life Is Rubbish is regarded as one of the defining releases of the Britpop scene, and its chart-topping follow-ups—Parklife and The Great Escape—saw Blur emerge as one of Britain's leading pop acts.